Today, I lost my way in a dark and gloomy forest and suddenly found myself in a gingerbread house… This was the experience staged in a theatrical production of ‘Hansel & Gretchen’; a performance in which you make your way – alone – through an installation of scenarios, equipped with a torch and an audioguide, guided along by a narrative voice and an evocative soundscape. Rather than simply telling you a story, it required you to move through the story, allowed you to feel unsettled, not knowing what came next, what might be waiting for you in the dark, how to get out.
A play without actors, where you perform every action. Is it theatre, performance, installation? Does it matter? Does cultural mediation need to follow conventions? Does museal mediation need things, or a museum space?
Take for instance the current exhibition of Tutankhamon’s grave in Malmö, a complete remake of the burial chambers as they were discovered in 1922 – not an authentic object in sight but perhaps offering a more authentic experience of their splendor than a traditional display would? According to this review, at least, despite the heavy use of dramatic effects, the overall experience is one of enlightenment, not just light entertainment.
I’m pondering these things now as I am trying to get back into my project and enter design mode, in order to sketch concepts for mobile mediation of fashion. One concept (which I came across researching for a short paper for a doctoral consortium on design research which I also need to write) that intrigues me is ‘The Dark Room Fashion Show’ (no, not what you think, and to be honest I’m not sure if the sexual connotations are not somewhat misleading in this case); a fashion show focusing on the sounds of garments conceptualised by researchers in fashion and interaction design at Textilhögskolan in Borås:
Visual expressions are dominant in fashion aesthetics. The fashion show is visual, we show fashion in magazines, we show our new garment, we see the beautiful clothes of others etc. The basic design aesthetics we learn within the regular fashion design curriculum is all about spatial form and visual expression. It seems somehow natural to train our perception of forgotten aesthetical issues by bracketing these dominant perspectives. Garment sounds in use, this is not a focal issue but nevertheless basic to the way in which garment present themselves in use. The Dark Room Fashion Shows is a program for fashion shows presenting fashion with a total focus on the sounds of garment in use; expose the sound of fashion in use, show nothing, let a cat-speaker, in some way or another, substitute the catwalk. (from the research website)
I reminds me of an idea I had back when I was a fashion student, of devising a collection of words, of poetry – all the rich and vivid words we associate with fashion and textiles, textures, cuts and colours. Now, it would take a greater poet than me to get it right, but I might explore the idea of developing a concept for a fashion soundscape, perhaps something along the line of a Thirdear-style montage or Scenatet’s Kære Fisk (for sounds of fashion, also check out the drama of clicking heels in Fish & Fowl).